to its imaginative collection of dragon characters, suffered as a result. Classes & Camps for access & inclusion, digital, dance, early childhood and theatre productions! The fact that people spoke so passionately about Toy Story 4's ending (that left me in tears, no less) is a testament to its singular power. Kevin Dupzyk. The set pieces on this sucker are rollicking good times, bursting with imagination and visual clarity. Divided into three sections, it’s an epic vision of sacrifice and tenacity in a tumultuous age, led by Zhao’s commanding performance as a woman whose cunning resourcefulness is matched by her devotion. Sold at a department store by a saleswoman (Fatma Mohamed) with a nefarious true identity, the satanically erotic garment preys upon the sexually repressed and/or unfulfilled, all while fluttering and hovering about like a sinister specter. As beguiling as it is gorgeous, his oblique film charts Luo’s experience in a world at once real and imagined, along the way spying him in, and through, numerous mirrors and glass filters until he resembles a displaced ghost in search of home. On a New England rock enshrouded in crashing-wave mist and bombarded with torrential rain, 19th-century lighthouse keepers Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson) tend to their duties, with the former manning the illuminated tower and the latter maintaining their domicile and coal-burning furnace. September 19, 2019. Led by DiCaprio and Pitt’s superb turns as artists trying to stay afloat in a radically transforming industry (and America), it’s a revisionist-history fantasy drenched in nostalgia, ecstasy, yearning and blood. Released months after the finale aired, Steven Universe: The Movie, a big, boisterous feature-length musical, effectively restarted the series, with Steven Universe Future, a miniseries fashioned as an epilogue to the main story, following closely behind. Premiering on the 50th anniversary of that momentous event, it utilizes a treasure trove of recently discovered 65mm footage and audio recordings to afford an up-close-and-personal view of the preparations for launch, the men and women toiling behind the scenes to ensure its safety, the crowds gathering to witness history, and the outer-space flight itself, shot by cameras accompanying (and sometimes manned by) Neil Armstrong, Buzz Aldrin and Michael Collins. Loungewear Is the Undisputed Winner of 2020, The 20 Best Books For These Long Winter Nights, The Coolest Tech and Gadgets of 2021 (So Far), A Cable Knit Sweater Is Your Winter Style Staple, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. Bazawule’s slow-motion imagery is mesmerizing, highlighted by the inverted sight of Esi being chased by a humanoid raven astride a horse, and a closing shot of an man with an IV stand meeting a long-lost love in the middle of architectural ruins. That only bolsters his suspenseful storytelling, characterized by formidable set pieces – involving perilous aquatic races against, and bone-crunching tussles with, the wild beasts – that further reflect Haley and Dave’s strained father-daughter dynamics. His is a conservative celebration of the old at the very moment that the new took over (not to mention a wish for a fusion of the two), and an air of wistfulness – and desire to fight obsolescence – permeates the action. Covering the hottest movie and TV topics that fans want. The year's biggest surprise was Pixar's Toy Story 4, a sequel that many questioned the mere existence of after the note-perfect, heart-tugging ending of Toy Story 3. His quest is fraught with literal danger and, also, emotional, psychological and spiritual peril, as Roy searches the heavens for the indifferent father that abandoned him. It's a shame that this didn't get a theatrical release (aside from a San Diego Comic Con fan screening), but hopefully there will still be more direct-to-home-video installments. Rocketman. Dec. 31, 2019 at 2:00 p.m. UTC Apparently, we really like documentaries at The Washington Post. It was brilliant but it painted the series into a corner, from a narrative perspective, especially after Warner Bros. released two spin-offs that audiences were indifferent towards. Buoyed by a script attuned to the sorrowful rhythms of older age (and New England), Jones’ film rests on the shoulders of Place’s stellar, lived-in performance as Diane, a fallible woman whose selflessness is colored by anger and regret. There’s poignant poetry in this haunting fairy tale, and magic as well. For all its operatic echoes of 2001, Apocalypse Now and The Tree of Life, James Gray’s Ad Astra is a distinctive vision of the grand abyss lying beyond our planet, as well as an affecting investigation into man’s longing for communion. Mitchell reveals them through an adventure that’s witty, aesthetically dexterous, and laced with dark disillusionment about the puppetmaster powers-that-be and their covert machinations. The rapidly changing global manufacturing landscape is examined through the lens of an Ohio auto-glass plant founded by the Chinese and staffed with men and women from both countries in American Factory. Between friends being laid off, concerns about retirement, and adult children navigating their own troubled romantic paths, Gloria makes her way through middle age with a brave face, finding temporary solace on the dance floor and, for a time, in the arms of Arnold (a magnificent John Turturro), a recent divorcé struggling to break free from his ex-wife and two needy daughters. Musician-filmmaker Blitz Bazawule’s feature debut is a spellbinding storybook fable about a young Ghanaian girl named Esi (Cynthia Dankwa) whose father Kojo (Joseph Otsiman) is convinced by his back-in-the-picture brother Kwabena (Kobina Amissah-Sam) to move their family from a village on stilts in the middle of a lake to the big city, where greater economic prosperity supposedly awaits them. There’s plenty of shrieking horror to be found here, as well as droll comedy, as the writer/director never loses sight of the inherent humor of his out-there conceit. He comes up with an ingenious way to get out of his post, with the local children writing letters to Klaus (J.K. Simmons) in return for a small toy. Revelation, resurrection, abandonment and mourning all factor into her haunting story. When Tartakovsky returned to his landmark series Samurai Jack in 2017, he updated the formerly family-friend series for more mature audiences and Primal takes that philosophy even further. With Tigers Are Not Afraid, writer/director Issa López conjures a modern fairy tale rooted in traumas of both a personal and political nature. Our list of the best animated movies of 2019 ranks the Top 10, including I Lost My Body, Missing Link, The LEGO Movie 2, and more. March 15, 2019: Wonder Park: produced by Paramount Animation, Nickelodeon Movies and Ilion Animation Studios: April 5, 2019: Pet Sematary: co-production with di Bonaventura Pictures: May 31, 2019: Rocketman: co-production with Marv Films and Rocket Pictures: July 12, 2019: Crawl: produced by Ghost House Pictures: August 9, 2019 With a light tough that allows for instances of escapist lyricism (none better than recurring shots of Gloria spinning amidst swirling colors), Lelio fashions a tender, incisive, heartbreaking ode to the myriad complications of adulthood, where efforts to move forward are burdened by regrets, entanglements and longing for connection. It’s the horror film of the year. The go-to source for comic book and superhero movie fans. His plan is to sell it at auction for a cool million, and thus settle his debts to brother-in-law Arno (Eric Bogosian) and his violent associates. Those decisions left the third film largely adrift, story-wise, and everything, from its ace cast (what was Cate Blanchett doing, exactly?) August 23, 2019. Until, that is, it reveals itself to be about a crew of filmmakers making an undead horror movie. Hogg depicts their affair with little concern for superfluous in-between stuff, cutting pointedly to the couple’s most crucial incidents together, and in the process she strikes an assured balance between realism and impressionism. Gigs soon follow for his sister Ki-jung (So-dam Park) as an art teacher, his dad Ki-taek (Kang-ho Song) as a driver, and his mom Chung-sook (Hye-jin Jang) as a housekeeper. Ni no Kuni. An origin story for Santa Claus, Klaus focuses on a postman (Jason Schwartzman) who is given a post near the arctic circle, in an awful town called Smeerensburg (it's real - look it up) where everyone is literally warring with everyone else. Using revolutionary (and largely effective) de-aging CGI to make his cast appear decades younger, the director’s adaptation of Charles Brandt’s non-fiction book I Heard You Paint Houses recounts the criminal life of Frank Sheeran (Robert De Niro), an enforcer for mafioso Russell Bufalino (Joe Pesci) and close compatriot of Teamsters bigwig Jimmy Hoffa (Pacino), the latter of whom he reportedly executed in 1975. The result is a new Christmas classic that is also unlike anything you've ever seen before, with Pablos' background in character design and animation shining through brilliantly. That afforded Marcus an opportunity to rebuild his sibling with stories about their past – some of which omitted crucial events from their horrendous childhood. Greta Gerwig establishes herself as one of world cinema’s finest directors with Little Women, an adaptation of Louisa May Alcott’s novel that’s bursting with effervescent life. Mangold’s story is about the might of American ingenuity and daring (versus sleek Italian arrogance), and a celebration of non-conformity in the face of (unbeatable) corporate pressure. In this surrealist landscape, humor and horror are almost indistinguishable, epitomized by Levant’s exceptional dance of the deranged. We may earn a commission from these links. The story of a magnificent amusement park where the imagination of a wildly creative girl named June comes alive. From start to finish, Crawl is the sort of edge-of-your-seat, cringing-with-delight thriller that Hollywood rarely makes these days. An era-spanning tale that charts the intersections of the mob and domestic politics (including the election and assassination of JFK), Scorsese’s film is also a flashback-layered drama about the passage of time, and the impact – or chilling lack thereof – that regret, treachery and immorality have on a man’s soul. In a Europe that simultaneously resembles today and 1940, German expat Georg (Franz Rogowski) endeavors to escape Paris before the arrival of encroaching Nazi-esque fascists. Elisabeth Judson Shue (born October 6, 1963) is an American actress, best known for her roles in the films The Karate Kid (1984), Adventures in Babysitting (1987), Cocktail (1988), Back to the Future Part II (1989), Back to the Future Part III (1990), Soapdish (1991), … The Oscar season may be just kicking into high gear, but at Esquire, we’re ready to crown the year’s 50 (!) The 50 Best Movies of 2019, Ranked The best of the best. Here are the biggest releases of the month. Pennywise the Dancing Clown (Bill Skarsgård), his rough-around-the-edges driver Ken Miles (Christian Bale), goes back to the 1969 Tinseltown of his dreams with, including the election and assassination of JFK, Best Movies In Theaters 2021: New Movie Releases This Month, Netflix New Releases 2021: What To Watch on Netflix Now, The Top TV Shows Coming Out in 2019 (So Far), 20 Best Songs and the Biggest Music Hits of 2019, The Best Romantic Movies of 2019 (So Far), The Best New Movies to See in 2020 (So Far), All the Best Netflix Movies and Shows Released in 2019. Their confined setting is a veritable labyrinth that –as with CGI-ified imagery of storm-ravaged communities – director Alexandre Aja imbues with underlying allegorical heft. January 26, 2019 6:30 AM. In Parabellum, Wick teams up with Laurence Fishburne, Ian McShane, and Halle Berry (and her two crotch-fixated German shepherds) in order to stave off death at the hands of the world’s assassins, all of whom seek a bounty on his head. Since 2013 Steven Universe has been widely hailed for its lush animation, intricate storylines, snappy songs and inclusive LGBTQ themes, and when the fifth season finale aired earlier this year, it sort of seemed like that was it. Light on dialogue but heavy on black-magic mystery, writer/director Lukas Feigelfeld’s fable casts its spell via slow-burn plotting and malevolent imagery, culminating with a kaleidoscopic underwater visual orgy of blood, roots, bone, tendrils, and mutating shapes. Shaun the Sheep Movie: Farmageddon. Indoctrinated from a young age by his surrogate-parent gang leaders (Bill Camp and Vera Farmiga), Widner preaches xenophobia and division until he meets single mother Julie (Danielle Macdonald). (My apologies to Incredibles 2.) In preparation for an upcoming EP release, we're rolling out some previously unreleased ditties. Still, Shadow is an aesthetic wonder, drenched in ash-gray hues and wielding serpentine cinematography to enrich its tale about a military commander’s “shadow” (Deng Chao) – i.e. Drew Taylor is an associate editor for Collider. Petra Costa's harrowing and dismayingly timely Netflix documentary presents a country torn apart at the seams, split between citizens in favor of staying the thirty-year democratic course, and those eager to take a turn back into dictatorial extremism. Costa's connection to her homeland's bifurcated history (via her revolutionary parents and wealthy grandparents) lends additional urgency to her survey of this tumultuous period of disintegration, in which corporate greed and power turn out to be more influential than the rule of law – or the will of the people. At nearly four hours, the film imparts an overpowering sense of its characters’ despair, and the misfortune that befalls them whether they remain alone or try to engage with others – a despondency only amplified by its empathy. The films most worth watching in the genre that ignites your imagination. Even during its more serene earlygoing, his characters’ choreographed numbers exhibit a frightening intensity, and once these artists unwittingly drink some LSD-spiked punch, their emotional equilibrium and interpersonal relationships spiral terrifyingly out of control. Split into five sections spanning 1960-1980, and set in the country’s northern La Guajira region, Guerra’s film (co-directed by his wife and producing partner Cristina Gallego) details the disintegration of a Wayuu community thanks to enterprising Rapayet (José Acosta), who marries the daughter of imposing matriarch Ursula (Carmiña Martinez) and transforms everyone’s fortunes by smuggling weed procured from relatives. Years later, adult Albrun (Aleksandra Cwen) cares for her infant daughter in that same abode, whose only visitor is Swinda (Tanja Petrovsky), a neighbor who, like the local priest, seems concerned with saving ostracized Abrun’s soul. Their laborious toil is compounded first by interpersonal tensions over Wake’s possessiveness regarding the lighthouse itself, and then by run-ins with squawking gulls (vessels for dead sailors’ spirits, says Wake) and visions of slimy tentacles and inviting mermaids. double – who, when not falling in love with his superior’s wife (Sun Li), attempts to incite a war with a rival kingdom against the wishes of his self-serving king (Zheng Kai). James Mangold’s Ford v Ferrari may not redefine its field in the way that the Ford GT40 revolutionized auto racing, but it’s nonetheless a muscular example of big-budget, star-driven Hollywood entertainment. Young love is a vehicle for self-definition in Joanna Hogg’s The Souvenir, the writer/director’s finely calibrated coming-of-of age drama. Be it stumbling their way through one ceremony and party after another, or embarking on their own unlikely relationship while dealing with their troublesome parents, Alice and Ben prove to be excellent company, she using booze and a sharp tongue to cope with her loneliness, and he clinging to high standards as a way to avoid commitment and stave off potential abandonment. Abominable. In the masterful hands of Terrence Malick, fascism isn’t simply a socio-political threat, but a moral and spiritual one as well. Her love, and the promise of a healthier sort of family, compels him to reconsider his life choices. The episodes are nearly wordless exercises in pure animation, lovingly crafted and totally expressive, with an art style inspired by Frank Frazetta paintings, pulp magazines, horror comic books, old timey serials and the airbrushed sides of vans, rendered in brutally beautiful 2D animation. Its characters linked by spectral bonds they can feel if not quite identify (or control), it’s an entrancing and inherently mysterious ghost story that’s both timeless and, sadly, of our particular moment. That would be Moondog, a South Florida “bottom feeder” who, having set aside his once-illustrious poetry career, is now content to coast through his beachside town’s many imbibing establishments, looking for his next toke, drink, and beautiful woman to bed. The debut feature from Hu Bo (who died shortly after production was completed) concerns a collection of individuals whose lives intersect during the course of a single day: Wei Bu (Peng Yuchang), an angry high-school student who accidentally commits a catastrophic crime; Yu Cheng (Zhang Yu), the guilt-stricken gangster brother of Wei Bu’s victim; Huang Ling (Wang Yuwen), a classmate of Wei Bu’s who’s involved with her vice dean; and Wang Jin (Liu Congxi), a grandfather being coerced by his son and daughter-in-law to move into a nursing home. Weddings can be a torturous drag for singles, so longtime friends Alice (Maya Erskine) and Ben (Jack Quaid) decide to spend their overbooked nuptials season tag-teaming events as platonic dates. Wonder Woman: Bloodlines. During an apocalyptic Florida hurricane, struggling but talented collegiate swimmer Haley (Kaya Scodelario) goes in search of her MIA father Dave (Barry Pepper), whom she finds in the basement of their old home, wounded and trapped by a swarm of alligators. Imagination Movers website. Better still, this blistering ode to rubber-burning independence and individuality also gives Miles – a wheelman of unparalleled audaciousness and skill – the rightful due he was denied decades earlier. At a remote late-18th century manor house, Marianna (Noémie Merlant) is commissioned by a countess (Valeria Golino) to paint her daughter Héloïse (Adèle Haenel), recently returned from a convent, engaged against her will to be married, and already defiant enough to have rejected one painter. Movies for Your Mind; The Hilary Caine Mysteries; Kincaid, the StrangeSeeker; Raffles, the Gentleman Thief ... All of our shows that were first broadcast in 2019. What emerges is a complex story about truth, lies and silence, the last of which is the real evil force in both Alex and Marcus’ life – concealing the horrors committed against them as kids, and tearing them apart as adults, at least until Perkins’ documentary stages a face-to-face sit-down rife with bitterness, regret and understanding. Her successful acting career includes her role as Winnie Cooper on “The Wonder Years,” several notable voiceovers for animated movies and a number of well-received movies on the Hallmark Channel. October 4, 2019. Affording no easy solutions to the problems it presents, it’s a micro examination of a macro crisis, made transfixing by Bell’s warts-and-all embodiment of intolerance – a learned ethos rooted in issues of anger, insecurity and isolation, and correctable (if at all) only through a combination of pain and sacrifice. There are codes within codes within codes in Under the Silver Lake, David Robert Mitchell’s deliriously shambolic neo-noir about stoner sleuth Sam (Andrew Garfield, never better) traversing a Lynch-ian L.A. landscape in search of a mysterious missing beauty (Riley Keough). ... Get the Imagination Theater News Letter. In doing so, it reveals a terrifying digital new world order where data is the most valuable commodity, as well as the key to conducting psychological warfare on a heretofore unheard-of scale. The plot details of Frozen II still remain fuzzy and I've already seen the movie twice; what a mysterious forest and Elsa's powers and the death of their parents have to do with anything is beyond me. It’s not your imagination — Netflix doesn’t have as many movies as it used to Published: Jan. 25, 2020 at 6:38 p.m. As conveyed by Esi’s encounter with an old blind man – who says he’s from an upside-down purgatory, and tells her to protect a bird from an evil crow – and the sibling rivalry-centric soap opera that Esi watches with her grandmother (Joyce Anima Misa Amoah), The Burial of Kojo is a story about reunion, loss and reconciliation that exists somewhere between reality and fantasy. A hazy fable that feels caught between Apocalypse Now and Lord of the Flies, Alejandro Landes’ Monos immerses itself in its haunting milieu via images of silhouetted figures set against enormous, encompassing clouds, and sequences of hostility, love and madness. 2019 Unlucky Shot $ 1.99. Matthew McConaughey is the king of bongo-drumming laissez-faire cool, and in The Beach Bum, he assumes the role he was born to play. The story of two friends who, like their hometown, are in a state of uneasy transition, The Last Black Man in San Francisco affords narrative and aesthetic surprises around every corner. Roiling passions lurk beneath the painterly facades of Portrait of a Lady on Fire, and director Céline Sciamma demands that one inspect her frame—and her characters’ faces—to locate them. Upon release, Qiao strives to acclimate herself to a modernizing world that doesn’t care about the collateral damage left in progress’ wake. But here's the thing: it's still really, really great. It’s merely one of many respects in which this French period piece roots itself in the acts of seeing and being seen, as well as the relationship between action witnessed, inferred and remembered. Thankfully, original directors Chris Buck and Jennifer Lee make sure we know that what really matters is the emotional arc of our favorite characters and pushing the storytelling from the land of fairy tale into something grander and more mythic, while also straining the limits of what the technology can accomplish, oftentimes blurring the line between backgrounds, effects, and character animation. Whether on the crashing-waves shore, in bed, in Marianna’s makeshift studio, or in the home of a woman performing an abortion for Héloïse’s servant Sophie (Luana Bajrami), it’s a film that assumes—and is fundamentally about—the complex power of the female gaze. Regardless, it’s still an escalating freak-out scored to thumping electronica and populated by a raft of potential monsters. Aided by unnervingly stoic, expressive turns from his leads, Alverson dramatizes this off-kilter madness via compositions of figures trapped in cramped, confining architectural spaces, set to ominous audio tones and blowing wind. From euphoric in-motion beginning to pitch-perfect self-referential end, it’s a time-honored tale made new, and enchanting, once more. life– is alive, and causing intergalactic pulses that threaten Earth. Peter Strickland’s fondness for ‘70s and ‘80s European genre cinema continues unabated with In Fabric, the amusingly menacing tale of a red dress possessed with unholy power. In this saga about the self-destructiveness of war, the kids aren’t alright. Led by a collection of outstanding performances thrumming with adolescent liveliness, longing, regret, resentment and resolve, the film revisits the diverse ups-and-downs of the March sisters. Foreshadowing his protagonists’ decades-long plight in a haunting allegorical intro, and then mining their pain and longing in empathetic close-ups, Aïnouz captures the inherently political nature of these siblings’ personal experience. Image Nation Abu Dhabi is one of the leading media and entertainment companies in the Arabic-speaking world, producing local and international films, documentaries & television content, and is a pan-Arabic broadcaster following the 2015 launch of Quest Arabiya. Best-Reviewed Movies by Genre 2019 Best Movies Off the Radar 2019 ... due to the fact that your stories can be filled with endless imagination. And then, it becomes a story about how those artists are in fact overrun by a real zombie threat. (It was intended to be brighter and more accessible than the studio's earlier, moodier work.) Here are 27 quotes about imagination to help you reshape reality. Following a tragic turn of events involving a milk cow they had on loan from a local supporter, the young warriors flee with Nicholson’s physician into the lush forest, where unity and sanity slowly start to fray. From Super Mario Bros., new-age cultists, pirates and bomb-shelter tombs, to masturbatory porn patterns, dog killers, comic books (Spider-Man, wink wink) and song lyrics scribbled on pizza boxes, secret world-governing ciphers are ubiquitous. 54 Famous Quotes on Empathy From Your Favourite Books and Icons. Kicking off with a bravura 37-minute single take sequence that charts its characters’ attempts to navigate their monstrous ordeal – all as their director, Higurashi (Takayuki Hamatsu), continues to roll cameras – the film eventually delivers a meta bombshell that totally reconfigures one’s conception of the action at hand. Pitched in fantastical Grimms terms (with a dash of Guillermo Del Toro), López’s allegorical feature doesn’t shy away from the brutal realities of its scenario, often to heartrending effect. The first Frozen was a true phenomenon, capturing the zeitgeist so completely it was impossible to escape. A trifurcated tale split between the hand’s journey, Naoufel’s pre-accident life as a pizza delivery boy, and his early adolescence, Clapin’s two-dimensional gem is an arresting aesthetic experience, its daring visuals married to a soundscape of buzzing, barking and screeching that lends the action an immersive immediacy. These five "tales of savagery" hail from visionary animator Genndy Tartakovsky, who has spent most of the past decade directing the cuddly Hotel Transylvania films for Sony. More than 50 years after “2001: A Space Odyssey,” filmmakers still huddle in its shadow, cobbling together icy space operas that lack the same cerebral chills. Hu shoots each protracted scene in long, unbroken takes, habitually foregrounding his subjects in shallow focus while staging key action in the fuzzy background. Newcomers Garnett and Fox are great, but the film is ultimately all Sandler, whose embodiment of sleazy, selfish, pleasure-seeking Long Island greed and desperation is outright exhilarating. And the songs are totally killer; "Into the Unknown" is the heir apparent to "Let It Go" (in terms of empowering belters) with accompanying visuals that border on the expressionistic and "Lost in the Woods," sung by Kristoff (Jonathan Groff) and styled as a Peter Cetera-era Chicago power ballad, is the movie's showstopping centerpiece, as formally adventurous as anything Walt Disney Animation Studios has done recently. The Best Action Movies of 2019. Epitomized by the yin-yang symbol on which many battles are fought, dualities (masculine and feminine, light and dark, real and imitation, mortal and ghostly) are rampant throughout. Spanish animator Sergio Pablos is the animation industry's greatest secret weapon, having contributed the story to Despicable Me (leading to an unstoppable juggernaut of a franchise) and Smallfoot, and designing characters for everything from Treasure Planet to Rio. Acquiring those positions, alas, necessitates ruining their predecessors, and holding onto them entails even nastier business – as well as enduring the petty cruelty, condescension and selfishness of their employers. In a brief post-credits sequence at the end of last year's woefully underrated Teen Titans Go! Borders to cross and barriers impeding passage are omnipresent in Transit, which like so much of writer/director Christian Petzold’s transition-fixated oeuvre, is a forlorn romantic reverie about identity, regret, trauma and rebirth. Director Josh Cooley wasn't happy with repeating what worked about the previous films, instead pushing this installment into uncharted territory, exploring both the existential quandary of the birth of a toy (with Tony Hale's frantic, lovable Forky) and what happens when a toy gets "lost." Surprisingly melancholy and emotional, Klaus was brought to life through cutting edge technology that expertly mixes traditional hand-drawn animation with state-of-the-art computer effects. Ruth’s flight takes her to her childhood home and her mom Bo (Lorraine Toussaint) and daughter Lila (Saniyya Sidney), both of whom have the capacity to wield swirly-colored constructive/deconstructive energy.

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